


Edinburgh has a gift for making love stories feel timeless and cinematic at once. Its stone breathes history and with its light often overcast – does everything a moody photographer could ever ask for. When Shannon and Andy got in touch about a gothic-style couples session in the city, I knew immediately that Edinburgh’s dark, dramatic architecture would be the perfect backdrop for them.
As Scotland couples photographer this is one of those photoshoots I’ll return to again and again.
Not just because of the locations – though they were extraordinary – but because of the feeling the two of them carry together. Quiet, tender, completely unhurried.
And dressed absolutely perfectly for the aesthetic.







Dark academia as a visual and fashion aesthetic centres on richly textured clothing, muted and dark tones, literary references and an atmosphere of old-world romance and intellectual depth. Think deep charcoals, blacks, burgundies and forest greens; flowing silhouettes; heavy stone interiors; candlelight and cathedral windows. Gothic architecture – with its pointed arches, carved stonework and dramatic verticality – is the natural home of this aesthetic.
Edinburgh is, quite simply, one of the most naturally dark academia cities in the world. Its Old Town is a labyrinth of narrow closes, centuries-old stone and looming spires. The Royal Mile was built for this – St Giles’ Cathedral has stood since the 12th century and the Scottish National Portrait Gallery looks like something from a Victorian novel. Even Dean Village, tucked quietly into its riverside valley, carries the moody, cobblestoned charm of a world slightly out of time.
If you’re drawn to gothic romance, to the kind of images that look like stills from a film you can’t quite name – Edinburgh will give you everything.



Clothing is one of the most important elements of a dark academia photoshoot and getting it right makes an enormous difference to your final images. The goal is to feel at home in the architecture – to complement the stone, the shadow and the drama rather than compete with it.
Part of what made this shoot work so beautifully was how intentionally Shannon and Andy dressed for it.
Shannon wore a long metallic greyish dress with dramatic draped sleeves – the kind that catch the wind at Dean Village and seem to absorb the pale Edinburgh light rather than reflect it. Over it, a dark flowing cape that moved with her as she walked. The result was something between medieval and cinematic – absolutely beautiful and ethereal against centuries of stone. A delicate pearl choker at her throat was the only jewellery she needed.
Andy anchored the pairing in all black – a fitted dark suit over a black turtleneck, no tie, dark boots. Simple, considered, elegant. Together they were cohesive without being matchy: two people who clearly thought about how they wanted to show up to their own story.
If you’re curious about building a dark academia wardrobe for your own session, I’ve written a full guide to the aesthetic [here →] — but the most important thing Shannon and Andy got right was this: they dressed like themselves, just with the volume turned up.


We started on the Royal Mile, outside St Giles’ Cathedral. There is nowhere in Edinburgh quite like it for sheer gothic architectural drama: the crown spire, the heavily carved sandstone, the great wooden doors framed by the Norman arch. Shannon and Andy stood on the cathedral steps and the whole city seemed to fall into place behind them – all dark stone and pale sky and centuries of stories.
I love shooting at St Giles’ because the gothic scale works perfectly when two people hold hands in front of those doors, it makes the moment feel timeless.
We also moved into the shadows of the surrounding closes, where light narrows to a sliver and the cathedral tower rises impossibly above. That silhouette shot – the two of them facing each other in near-darkness with the gothic spire cutting into the sky behind them – captures everything I love about Edinburgh as a backdrop for couples. The drama is built in. You really don’t have to manufacture it.
Shannon is expecting and this session was a way to mark this extraordinary chapter before their world changes completely. They didn’t want a traditional maternity shoot – no soft pastels, no studio lighting, no floating fabric in a field. What they wanted was something true to who they are: a little dramatic, deeply romantic, rooted in the gothic aesthetic and places they love.
Edinburgh’s stone streets turned out to be the most natural setting imaginable. There’s something about the weight of old architecture – the way it holds you, frames you, makes everything feel significant – that gave the whole session a sense of occasion. The bump, held gently by Andy’s hands as he kissed her cheek by the Water of Leith, felt like the quietest and most powerful moment of the story. Dark academia gothic photography doesn’t have to be cold or remote – at its best, it holds tenderness and drama in equal measure. This was that – real romantasy atmosphere.










From the Royal Mile, we made our way to the Scottish National Portrait Gallery on Queen Street – one of Edinburgh’s most extraordinary interiors, and in my view one of the most underused locations for gothic couples photography in the city.
The main hall is breathtaking: vaulted Gothic arches, rich warm wood, stained glass windows and a painted frieze wrapping the entire mezzanine level depicting Scotland’s kings, queens and historical figures. Shannon and Andy stood together on the gallery balcony, silhouetted against the tall leaded windows, with centuries of Scottish history literally painted beneath their feet.
The warmth of the interior light against the cool grey outside created a beautiful contrast – gold and shadow, old world and present moment. For anyone planning a dark academia Edinburgh shoot, this interior is unmissable. It is unlike anywhere else in the city, and it photographs like a dream – and the best thing? You don’t need to book it and no payment is required if you’d like to take a few photos inside.
No Edinburgh couples session of mine would feel complete without Dean Village. I bring clients here often and it never stops surprising me – the moment you step down from the city streets into this little riverside valley, Edinburgh falls completely silent.
The gothic and medieval character of Dean Village is quieter than the Royal Mile – less spire, more cobblestone, more moss and ivy – but it has the same sense of being slightly removed from ordinary time. The Well Court building with its crow-stepped gables and turrets rising above the Water of Leith, looks like it belongs in a fairy tale. The river adds scenic beauty to the photos – and the overcast Edinburgh sky is your best friend here.
For Shannon and Andy, this was a moment for cosy photos – he wrapped his arms around her from behind; she leaned into him, eyes closed. The city felt a thousand miles away. This is the Edinburgh I want people to see – not the busy tourist trail, but this hidden, breathing, mossy, ancient version that reveals itself only when you slow down enough to look for it.









If this aesthetic speaks to you – gothic locations, moody light, unhurried and deeply personal – I’d love to hear from you. As an Edinburgh couples photographer specialising in elopements and intimate sessions, Edinburgh’s most atmospheric corners are where I feel most at home.
If you’re in the early stages of planning, my Edinburgh Engagement & Couple session Guide covers everything from choosing locations to timing your shoot – a good starting point before we chat and exchange ideas.
Occasionally, I also take on intimate maternity sessions for couples whose gothic or dark academia aesthetic aligns with my style. Shannon and Andy’s shoot is a perfect example of how a maternity session doesn’t have to look like a typical maternity session — it can look like you, resonate with who you are – the art you love, the way you dress, the way you want your relationship portrayed..
So get in touch to enquire about your Edinburgh couples or maternity session!